art writing // profile// contact // home //represented by Galerie de Roussan, Paris

  Seeking a Meridian
  Benevolent Asylum: just for fun
  Benevolent Asylum
  Reading Aloud & BookBUS
  Border Crossings
  Deadman Monologue
  First Love
  Bordertown
  Endless Summer
  The perfect future game
  I want to break free
  Dangerous Liaisons
  Paint Tin Fantasias
  Sleepwalker
  Blinded by the Light
  Burning Memory
  Approach
  Timeslots
 

 

NEW art writing page with PDF text files


Seeking a Meridia
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Galerie de Roussan, Paris
September–October 2011

Exhibition publication with ficto-critical essay in French & English (2.6MB)



Seeking a Meridian examines the contradictions of the historical measurement of time, in contrast with its material reality and abstractions of temporal experience. In this critical moment of technological development and temporal human disembodiment this series seeks out the place of time, and its present relationship to matter and memory.

Amid these contemporary questions of time, Seeking a Meridian revisits and retrieves specific histories, such as the global influence of French devices and conceptions of time measurement, the historical conjunction of this history within the lineage of French revolutionary politics, and the social impact of the temporal structuring of daily life across western civilisation.



Above: Seeking a Meridian, 2011
Top and below: Crystalline Time, 2011


This work has been supported by Arts Victoria


Benevolent Asylum: just for fun
Lily Hibberd & WART
A Peformance Space WALK
Sat 26 Nov & 3 Dec 2011

In an excursion of Lavender Bay, Sydney, Lily Hibberd and WART made an allegorical tour of around seven sites around Luna Park. This WALK revealed how joy and sacrifice eclipse histories of madness and exile and underpin the contemporary workings of Australian institutions of confinement.

www.performancespace.com.au/2011/benevolent-asylum-just-for-fun/


Photo: Lily Hibberd of Parramatta Female Factory gates & Luna Park image ©Robert Klein

This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.


Performance Space WALK publication forthcoming March 2012, with an essay by Adrian Martin on Benevolent Asylum: just for fun

OTHER 2010-11 EXHIBITIONS

Benevolent Asylum: an eclipse of historical fiction
Fremantle Arts Centre
21 May – 17 July 2011

Benevolent Asylum is an installation and performance series that examines asylum, exile and practices of confinement in Australian historical and contemporary practice. A series of live performances were also held in the main gallery during the exhibition. Download PDF programme (7.2MB)



Blending documentary and fiction, Benevolent Asylum examines the story of exile and confinement in Australia while questioning the asylum practices that continue today. Eight short videos, site photography and archival material from local collections reveal a secret history of confinement in Australia. Benevolent Asylum emanates from research undertaken in Fremantle and at other asylum and prison sites, including Stradbroke Island, Melbourne, Williamstown, Parramatta, Paris and London. See more >>



Above: Benevolent Asylum, 2011. Image of Pitié-Salpêtrière, Paris 2009 by Lily Hibberd, with background of the WII Hannibal Operation from public domain of Bundesarchiv, Germany.

This project has been assisted by the Australian Government through the Australia Council, its arts funding and advisory body.


OTHER PROJECTS // GROUP EXHIBITIONS

Love of confinement
part of the group exhibition
SubText
curated by un Projects
27 Jan – 19 Feb 2011
West Space, Melbourne




Reading Aloud
at Woodford Folk Festival, 2010
Part of BABELprojekt, organised by Pat Hoffie



Photos: Abraham Ambo Garcia Jr


Some kind of intermission Live in Store
A collaboration between Robert Cook and Lily Hibberd
P4 (pilot) at Perth Institute of Contemporary Art

Saturday 20 November 2010




Visit the P4 (pilot) website for more information

Unseen Forces



Unseen forces
presents the work of six Australian contemporary artists to question how over the last two hundred years human life has become increasingly ordered by instruments of force. Instead of using our bodies as powerful agents of being in the world we are letting go of physiological knowledge. This abandonment is a political act, even if an unintentional one. In the age of global information nothing of the earth is outside of what is owned and orchestrated by multinational corporations and governments. We see this in simple daily interactions with agencies like weather monitoring systems, which are naively thought to offer a public service. Only, like privately owned news groups, the stakeholders of time, pressure and money manufacture a false set of relations to the world.

The information age is rife with the unseen and we are content to know nothing of its procedures because it is comforting to be divested of the terrifying responsibility of knowing ourselves in the natural world. Like time, pressure and change, the forces beyond our control are too great to fathom. The six artists in this exhibition tackle the crisis of force, confronting in varying modes the assumptions that disembody our contemporary relation to physiological power. In bringing attention to the way we inhabit, intuit and change the world around us Denis Beaubois, Lauren Brincat, Laresa Kosloff, Alex Martinis Roe, Jacky Redgate, and Kiron Robinson offer a way to redress our loss of bodily authority.

In A complex collapse, 2010, Denis Beaubois demonstrates how unseen forces can be made apparent. This video work is “derived from over 400 hrs of recording the brewing of beer in different stages. In Beaubois’s words, “They explore and imagine the loss of control that comes from a gradual molecular change (that occurs within sealed fermenting bodies), and document the tension between what bubbles away under the surface and what remains unchanged on the exterior.”

Unseen Forces
Denis Beaubois, Lauren Brincat, Laresa Kosloff, Alex Martinis Roe, Jacky Redgate and Kiron Robinson
Curated by Lily Hibberd

Institute of Contemporary Art Newtown
191 Wilson Street, Newtown, NSW

4-21 November 2010


Download exhibition catalogue (3.5 MB)

More information below


Denis Beaubois, A complex collapse, line1, 2010

Border crossings (recent video and sound work)
Conical Inc
17–19 December 2009








First Love
GRANTPIRRIE, Sydney
25 June – 25 July
2009