| Curriculum
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RECENT SOLO EXHIBITIONS
2011 Seeking a Meridian, Galerie de Roussan, Paris
Benevolent Asylum, WALK, Performance Space, Sydney
Benevolent Asylum, Fremantle Arts Centre, Fremantle, Western Australia
2010 Some kind of intermission: live in store, collaboration with Robert Cook, commissioned by Perth Institute of Contemporary Arts and P4 (pilot), Perth
Reading aloud, Woodford Folk Festival, Queensland, as part of BABELprojekt, curated by Pat Hoffie
BookBUS, various sites Sydney, commissioned by P4 (pilot) and Performance Space
Being of the Book, performance installation, 2010 International Book Conference, St Gallen, Switzerland
Being of the Book, performance installation, Fremantle Arts Centre, Western Australia
2009 First Love, GRANTPIRRIE, Sydney
Deadman Monologue, Canberra Contemporary Art Space
No place like, performance installation, Lyndal Jones’ “Eco Living Festival”, Avoca, Central Victoria
Endless summer: sunglasses
and the spectacle of vision, Experimental Art Foundation, Adelaide
Bordertown, Conical Contemporary
Art Spaces, Fitzroy
2008 Bordertown, Artpace, Sydney
Endless summer: sunglasses
and the spectacle of vision, Experimental Art Foundation, Adelaide
Bordertown, Conical Contemporary
Art Spaces, Fitzroy
2007 Endless summer: sunglasses
and the spectacle of vision, Studio 12 Gertrude Contemporary
Art Spaces, Fitzroy
2006 I want to break free, Karen Woodbury
Gallery, Melbourne
2005 Dangerous Liaisons, Linden
Centre for Contemporary Arts, St Kilda
2004 Paint
Tin Fantasias, The Farm, Brisbane
SLEEPWALKER: cinema & dreams, Kings ARI, Melbourne
Blinded by the Light, Karen Woodbury Gallery, Melbourne
2003 Blinded by the Light, Bus Gallery,
Melbourne
Blinded by the Light, Perth Institute of Contemporary
Arts, Perth
2002 Burning Memory, Imperial Slacks,
Surry Hills, Sydney
2001 Burning Memory, TCB inc. ART,
Melbourne
2000 Time Slots, Spencer Street
Gallery, West Melbourne
SELECTED GROUP EXHIBITIONS
2011 The gravity of the situation, Monash University Art & Design Faculty Gallery, Caulfield
SubText, West Space, Melbourne
2010 West Space A4 Art, West Space, Melbourne
PICA Salon, Perth Institute of Contemporary Arts, Perth
2009 The Shilo Project, Ian Potter Museum of Art, Melbourne University (touring)
No place like, performed at The Eco Living Festival, Avoca, Victoria
To Whom it May Concern, Karen Woodbury Gallery, Melbourne
The Arthur Guy Memorial Painting Prize, Bendigo Art Gallery, Bendigo
2008 The Leisure Class, Australian Cinématèque GoMA Brisbane
Home. Lismore Regional Gallery, Lismore, New South Wales
Time and Again, Melbourne City Laneways writing project, Melbourne
New Work 2008: Drawing a Conclusion, curated by Danny Lacy, Hell gallery, Melbourne and Peloton, Sydney
2007 Arc Biennial, QUT Museum,
Brisbane (forthcoming)
The last thing I remember… University Art Gallery,
The University of Sydney, Sydney.
The Arthur Guy Memorial Painting Prize, Bendigo Art
Gallery.
Too near too far exhibition, C/O careof gallery,
Milan.
Kiosk: Modes of Multiplication, Artists Space, New
York
2006 Studio Artist Exhibition Gertrude Contemporary
Art Spaces
The Kilgour Painting Prize, Newcastle Region Gallery
The last thing I remember... Switchback gallery, Monash
University
2005 You’re So Vain, Karen Woodbury
Gallery, Richmond
Murdoch Travelling Fellowship, VCA Gallery, Melbourne
2004 Imaging the Apple, RMIT Projectspace,
Melbourne
Imaging the Apple, Ballarat Fine Art Gallery, Ballarat
2003 Art+Film, Centre for Contemporary
Photography, Fitzroy
Royal Rumble, Kings Artist Run Space, Melbourne
Murdoch Travelling Fellowship, VCA Gallery, Melbourne
2002 Mnemotech, Perth Institute
of Contemporary Arts, Perth
Towards Colour, McClelland Gallery, Langwarrin, Victoria
2001 Look See: five contemporary painters,
Monash University Gallery, Clayton
One for the Ladies, Penthouse & Pavement, Melbourne
UBS Touring Show, Basel, Zurich, Geneva, Monaco &
Munich
ANZ Visual Art Fellowship, ANZ Building, Melbourne
2000 UBS Art Award, Whitechapel
Gallery, London
A Brush with Death, LaTrobe Street Gallery, Melbourne
Inaugural Exhibition, Dickerson Scott, Richmond
Award Winner’s Exhibition, VCA Gallery, Melbourne
1999 National Works on Paper, Mornington
Peninsula Regional Gallery
ANZ Visual Art Fellowship, ANZ Building, Melbourne
MINE, 121 Victoria St, Fitzroy
Exchanging Places, Ray Hughes Gallery, Sydney
1994 19, Charles Nodrum Gallery,
Richmond
GRANTS AND AWARDS
2007 Australia Council for the Arts, New
Work, established artist grant
2006 Studio residency, Gertrude
Contemporary Art Spaces, Fitzroy
2004 Australia Council for the Arts, New
Work emerging artist grant
2003 Arts Victoria, Arts Development, New
Work grant
Finalist, Murdoch Travelling Fellowship
2002 Australia Council for the Arts, Arts
Development grant
2001 Finalist, ANZ Arts Fellowship Award,
Melbourne
2000 National Winner, UBS Art Award, Whitechapel
Gallery, London
Finalist, Brett Whiteley Travelling Art Scholarship, Sydney
1999 Postgraduate Award, National Gallery
of Victoria Women’s Association
School of Graduate Studies, Academic Activity Grant, University
of Melbourne
Finalist, ANZ Arts Fellowship Award, Melbourne
Honourable mention, Jacques Derrida Exhibition
1991 Daler/Rowney Award, Monash University,
Caulfield
COLLECTIONS
BHP Billiton Collection, UBS Private Banking
Collection, Basel, Switzerland, and Private collections; Melbourne, Adelaide, Sydney &
London
SELECTED BIBLIOGRAPHY
Gardner, A. (2006) “The Theatre of Painting”,
Karen Woodbury Art Fair catalogue essay.
McFarlane, K. (2006) “Object Relations”, I want
to break free exhibition catalogue essay.
Frost, A. (2006) “I want to break free”, Australian
Art Collector, Issue 37, July-September p.296.
Khan, J. (2005) “You probably think this essay is about
you…” You’re so vain exhibition catalogue
essay.
Stanhope, Z. (2004) “Can’t live, if living is
without you”, Paint tin fantasias exhibition catalogue
essay.
Marsh, A. (2004) “Lily Hibberd: A Painter’s Cinema”,
Eyeline, Number 55, pp.34-35.
Cook, R. (2004) “Lily Hibberd”, Art & Australia,
Vol 41/4, p. 598.
Hall, K. (2004) “Art+Film”, Photofile 70, p.73.
Edwards, D. (2003) “The Art of In-Between”, RealTime,
No. 57, October-November, p.26.
Colless, E. (2003) “Off Your Face”, Blinded by
the Light exhibition catalogue essay.
Erickson, D. (2002) “Mnemotech: sense+ scape+time+memory”,
Artlink vol. 22/#4, p44-45.
Baxter, V. (2002) “Lily Hibberd”, RealTime, No
50, August-September, p.18.
Peers, J. (2002) “Burning Memories”, Artlink vol.
22, #17, p.93.
Bullock, N. (2001) “Wall of Fire”, Burning Memory
exhibition catalogue essay.
Bullock, N. (2001) “Moving through space”, Look
See: five contemporary painters exhibition catalogue essay.
CURATING, EDITING & PUBLISHED WRITING
2010 Curator, Unseen forces (forthcoming) ICAN (Institute of Contemporary Art, Newtown), Sydney.
2004-6 Founding editor un Magazine issues #1–#7.
2006 Co-editor Photofile 76, “Shifting Ground”, with Natasha Bullock (Curator Contemporary Art AGNSW).
2006 Curatorial advisory team, Rapt!: 20 contemporary artists from Japan. |
