| Writing:
essays/scripts/reviews/projects
PUBLISHED WORKS OF ART IN TEXT FORM
Hibberd, L. (2011) "Seeking a Meridian," photoroman, essays and photograhy for exhibition at Galerie de Roussan, Paris.
Hibberd, L. (2011) "Benevolent Asylum," illustrated program and extracts from performance text for Fremantle Arts Centre.
Hibberd, L. (2010) "BookBUS,"a guide for participants at the P4Pilot events, produced by Performance Space, Sydney.
Hibberd, L. (2009) "First Love: a novella," illustrated introduction to series of 13 short stories.
Hibberd, L. (2008) "Deadman monologue, a performance script for Canberra Contemporary Art Space exhibition
Hibberd, L. (2008) "Bordertown," 100-page book with essays, performance scripts and 50 documentary photographs
Hibberd, L. (2007) “Endless summer”, a monologue
for an installation at Gertrude Contemporary Art Spaces. (100%).
This work explores the frontier of memory, subjectivity and
the spectacle of vision through one man’s recollection
of the past in his collection of sunglasses, documented as
photographs with a voice-over narration.
Hibberd, L. (2006) “The Perfect Future Game”,
a script for an installation at Gertrude Contemporary Art
Spaces (100%). This is a play in seven acts, written in the
form of a closet drama. The form of the text refers to Plato's
dialogs and Beckett’s Endgame (1957) in functioning
as a philosophical proposition.
Hibberd, L. (2001) “Atavis: Burning Collective Memory”,
screenplay to accompany exhibition, Burning Memory (100%).
Completed as a Master of Fine Art research project in 2001,
Burning Memory comprised an installation of paintings, documentary
video, and a paper in the form of a screenplay. The thesis
explored the transformations of human perception, vision and
memory at the advent of cinema in early 20th century, with
a focus on the Deleuzean notion of the ‘time-image’
(1989). Gerhard Richter’s Atlas and the “Baader-Meinhof”
series (October 18, 1977) were examined as repositories and
representations of collective and individual memory.
PUBLISHED FEATURE ARTICLES and ESSAYS
Hibberd, L. (2010) “Jonathan Jones: On the various effects of cross-pollination and the botanical logic of abstraction”, Column 5
Artspace, Sydney.
Hibberd, L. (2009) “The institution does not exist”, Column 4, Artspace, Sydney.
Hibberd, L. (2008) “Eight times over”, Time and again, City of Melbourne Laneways Commissions.
Hibberd, L. (2007) “The Limits of Representation: Darren Almond”, eyeline, #65, Summer, 2007-08.
Hibberd, L. (2007) “ The punctiform arabesque”
Natalya Hughes’ exhibition essay, Gertrude Contemporary
Art Spaces
……….. (2007) “un Magazine”,
Too near too far exhibition catalogue text, at C/O careof
gallery, Milan
………... (2006) “Impossible lightness”,
The Artreader, Asia Pacific Triennial (APT)5 companion, p.1
……... (2006) “A legitimate disguise: when
fiction redresses the documentary”, The Artreader, APT5,
p.13
……….. (2005) “Matthew Griffin: Disappointment
Now”, un Magazine, Autumn issue/3, pp.20-21 (100%).
………... (2005) “Peter Burke: Serial
personalities, serial interventionist”, Photofile issue
75, pp.46-49
………... (2005) “Where have all the
people gone?” Photofile issue 73, pp. 34-39 (100%).
…... (2004) “Assorted thoughts on the work of
Laresa Kosloff”, un Magazine, Summer issue/2, pp.9-11
PUBLISHED REVIEWS
Hibberd, L. (2007) “Asia-Pacfic Triennial (APT)5”,
ARTiT issue 14, Japan, p.024
………... (2007) “Anne Landa Award”,
ARTiT issue 14, Japan, p.010
………... (2005) “Yokohama Triennale
2005”, un Magazine, Summer issue/6, pp.67-69
……….. (2005) “Justine Khamara: Legion”,
un Magazine, Spring issue/5, pp.32-33
………... (2005) “Sharon Green: Dark
Silence”, Photofile issue 74, pp. 71-73
……….. (2004) “Exhibitions at Spacement
& Containers at Federation Square”, RealTime, online
No 63
………... (2004) “Light made dark”,
RealTime, No. 59, February-March, p.32
EDITORIAL EXPERIENCE
1. Founding and managing Editor, un Magazine issues #1–#7,
2004-2006.
An independent art journal, based in Melbourne and voluntarily
run by a group of artists, writers and curators. The project
was initiated as an effort to develop a critical dialogue
around local contemporary art practice in Melbourne, but reached
a wide national and international audience. As Editor, I oversaw
the management of the magazine’s content, design, distribution,
promotion, financial planning, and copy editing, as well as
contributing to many of the seven issues.
2. Co-editor (with Bullock N. curator AGNSW), “Shifting
Ground”, Photofile 76, 2005/6.
Photofile is an Australian contemporary photography magazine.
Guest editors are invited to develop a theme, design content,
select and commission authors and artists’ works, edit
and proofread content and contribute to the final design consultation
process. For this issue, Natasha Bullock and I published on
a theme of land and landscape, with a particular focus on
contemporary political photography.
3. Editor, Rapt! weblog to accompany exhibition program, Rapt!:
20 contemporary artists from Japan, 2006. An independent initiative,
aimed to share experiences of the collaborative exchange program
developed by the Japan Foundation for the year of Japan-Australia
exchange in 2006. I commissioned and edited all of the articles,
and made a number of contributions.
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